‘Moonlight’ Named Best Picture by National Society of Film Critics

moonlight Movie

Courtesy of A24


“Moonlight,” the coming-of-age story of a gay black boy named Chiron living in Miami, was named the best picture winner by the National Society of Film Critics on Saturday.

In the acting categories, “Manchester by the Sea” star Casey Affleck took the award for best actor, while Isabelle Huppert won the actress prize for her performances in both “Elle” and “Things to Come.” Affleck’s “Manchester” co-star Michelle Williams scored the prize for supporting actress, and “Moonlight” standout Mahershala Ali nabbed the award for supporting actor.

“Manchester” also won the best screenplay award. “Moonlight” continued its run by winning cinematography for James Laxton and director for Barry Jenkins.

The foreign film prize went to “Toni Erdmann” — the film’s lead actress Sandra Huller was a runner up in her category. “O.J.: Made in America” won in the nonfiction category.

This year the group had 38 people vote from around the country. The society announced Friday that for the first time in addition to its New York meetings, eight critics would cast their votes in real time from L.A., Chicago, Seattle, Denver and more cities. This year the group welcomed new members MTV’s Amy Nicholson and the Chicago Tribune’s Michael Phillips into the fold.

View of the complete list of awards below:

Best Picture: “Moonlight”
Runners-up: “Manchester by the Sea”; “La La Land”

Best Actor: Casey Affleck, “Manchester by the Sea”
Runners-up: Denzel Washington, “Fences”; Adam Driver, “Paterson”

Best Actress: Isabelle Huppert, “Elle” and “Things to Come”
Runners-up: Annette Bening, “20th Century Women”; Sandra Huller, “Toni Erdmann”

Best Supporting Actor: Mahershala Ali, “Moonlight”
Runners-up: Jeff Bridges, “Hell or High Water”; Michael Shannon, “Nocturnal Animals”

Best Supporting Actress: Michelle Williams, “Manchester by the Sea”
Runners-up: Lily Gladstone, “Certain Women”; Naomie Harris, “Moonlight”

Best Director: Barry Jenkins, “Moonlight”
Runners-up: Damien Chazelle, “La La Land”; Kenneth Lonergan, “Manchester by the Sea”

Best Screenplay: Kenneth Lonergan, “Manchester by the Sea”
Runners-up: Barry Jenkins, “Moonlight”; Taylor Sheridan, “Hell or High Water”

Best Cinematography: James Laxton, “Moonlight”
Runners-up: Linus Sandgren, “La La Land”; Rodrigo Prieto, “Silence”

Best Foreign Film: “Toni Erdmann”
Runners-up: “The Handmaiden,” “Elle” and “Things to Come”

Film Heritage Award: Kino Lorber’s five-disc collection “Pioneers of African-American Cinema”

Special citation for a film awaiting American distribution: Cristi Puiu’s “Sieranevada”

5 Comments

  1. Just Bob says:

    January 8, 2017 at 5:10 am

    Didn’t see Moonlight and likely won’t. When I/we take an evening out to go see a film I/we want to be entertained. There’s enough ugliness to live through, hear and see in our daily lives in regard to racial and gender identity, for the subject itself to ‘entertain’ me. And by the way Mr. Hetro…life IS all about choice and the choices we make. We choose our paths in life, just as we choose our Partners. Imagine a world of people who act and speak based on ‘what they are’ inside, instead of exercising some choice and judgement. Your simple attempt at logic ( then blaming religion?) escapes validity with most gay men reading this…including this one.

    Reply

  2. juke says:

    January 8, 2017 at 4:31 am

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    Reply

  3. edkargir says:

    January 7, 2017 at 1:20 pm

    Moonlight is the best of the year . It has nothing to do with pro homosexuality.
    Best line of the year: “Faggot is a word used to make gay people feel bad.”

    Reply

  4. A heterosexual adult

    A heterosexual adult says:

    January 7, 2017 at 1:15 pm

    The fact that you say “pro” implies you think it’s a choice, which any mature adult in today’s modern society knows is not the case. I feel sorry for you being so ignorant and beholden to religion.

    Reply

  5. Liza says:

    January 7, 2017 at 11:02 am

    Begins, the verb refers to the society, not the critics. Yes, I know, but words are important. It’s okay to break a rule for a reason, but not because the writer doesn’t know the rule.

    Reply

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